For 1993's In Utero, the band brought in producer Steve Albini, well-known for his work on the Pixies album Surfer Rosa. As Nevermind had brought in a new audience of listeners who had little or no experience with the alternative, obscure, or experimental bands Nirvana saw as their forebears, bringing in Albini appeared to be a deliberate move on Nirvana's part to give the album a raw, less-polished sound. For example, one song on In Utero featuring long periods of shrill feedback noise was titled, ironically, "Radio Friendly Unit Shifter" (in the industry, a "radio-friendly unit shifter" describes an "ideal" album: one capable of heavy radio play and ultimately selling many copies, or "units"). However, Cobain insisted that Albini's sound was simply the one he had always wanted Nirvana to have: a "natural" recording without layers of studio trickery. The sessions with Albini were productive and notably quick, and the album was recorded and mixed in two weeks for a cost of $25,000 at Pachyderm Studios in Cannon Falls, Minnesota.
Several weeks after the completion of the recording sessions, stories ran in the Chicago Tribune and Newsweek that quoted sources claiming DGC considered the album "unreleasable." As a result, fans began to believe that the band's creative vision might be compromised by their label. While the stories about DGC shelving the album were untrue, the band actually was unhappy with certain aspects of Albini's mixes. Specifically, they thought the bass levels were too low, and Cobain felt that "Heart-Shaped Box" and "All Apologies" did not sound "perfect". Longtime R.E.M. producer Scott Litt was called in to help remix those two songs, with Cobain adding additional instrumentation and backing vocals.
In Utero debuted at number one on the Billboard 200 album chart in September 1993. Time's Christopher John Farley wrote in his review of the album, "Despite the fears of some alternative-music fans, Nirvana hasn't gone mainstream, though this potent new album may once again force the mainstream to go Nirvana." However, the album did not achieve the same success as Nevermind. That fall, Nirvana embarked on a US tour, its first major tour of the States since the success of "Smells Like Teen Spirit". For the tour, the band added Pat Smear of the punk rock band The Germs as a second guitarist.
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